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I need help placing an order I want to check on the progress of my order I'd like to discuss the quality of my order Other. Hold on! Moreover, in her account, each image can tell many stories. A woman with a veiled face can represent the role of fundamentalist Islam in Yemeni society, but she argues that a look behind the veil shows us that many of these women are holding down jobs and earning income, and in so doing, changing their role within their own families and in Yemeni society more broadly.
Second, we can find ways to invest in journalism.
(DOC) News values and today’s media environment. Essay. | Andrea Lach - eponacevaw.tk
As Alisa Miller argues, a major obstacle to a truly global news media is the cost of production, of keeping bureaus in every country and paying for journalists to produce deep, investigative stories. The great paradox of media economics in the digital age is that the Internet makes it possible for us to consume more content, but falling advertising revenues means that each piece of content must cost a little less to produce.
That pushes news outlets, even wealthy ones, in the direction of gossip and regurgitated press releases that can be produced by a reporter who hasn't left her desk. One way to break this cycle, Ethan Zuckerman argues, is to make small and targeted investments in local journalists in the developing world.
He describes a blogger training program in Madagascar that became a newsroom overnight when world media outlets needed verified content from a country undergoing revolution. At the heart of these recommendations is a shift in the way we understand the mission of journalists — or rather, a return to an old way of thinking about news.
Right up until the early 20th century, all journalists were assumed to be opinion writers. Reporters went places to report, made up their own minds about a topic, and wrote an account that included not only facts, but an argument for what position readers at home should take and what political actions might follow. George Orwell's colorful and opinionated essays from South East Asia, for example, were published as reportage.
Then the Cold War started, and in the democratic West, journalists began to strive for objective impartiality, to distinguish their work from the obvious, state-sponsored propaganda of the Soviet bloc. Many critics at the time questioned whether 'true' objectivity was possible, but no major western news organization disputed that it was the ideal.
Today, we're seeing a return to the older understanding of journalism, towards an acceptance that even independent reporting carries a viewpoint, shaped by the people who produce it. Moreover, contemporary journalists are increasingly coming to see this viewpoint as a strength rather than as a weakness, and using social media to be more transparent to readers about the values they bring to stories.
New York University's Jay Rosen, for example, has argued powerfully that the 'view from nowhere' advocated by 20th century western reporters is dangerous because it can lead journalists to treat 'both sides' of a story equally even when one side is telling objective falsehoods or committing crimes. Many of the speakers in Covering World News describe their journalism — whether it is Global Voices or the Yemen Times — as having an explicit moral and political mission to change our perceptions of under-covered regions of the world.
But no speaker is more passionate on this subject than TED speaker and photojournalist James Nachtwey, who credits the activist context of the s for inspiring him to enter journalism, using photography to "channel anger" into a force for social change. Nachtwey's work has brought him, at times, into partnership with non-profit aid organizations, an alliance that is increasingly common in today's media world but would surely not have fit within the 'objective' media of a half-century ago.
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Nachtwey sees himself as a 'witness' whose place in the story is not to be invisible, but to channel his own humane outrage at war or social deprivation in order to drive social and political change: in one case, a story he produced prompted the creation of a non-profit organization to collect donations from readers. This kind of work is a form of 'bridge building,' a theme that emerges in many of our talks.
For while there may not be one 'global media' that includes all communities equally and reaches all parts of the globe, there are many individuals whose skills and backgrounds enable them to go between the connected and less connected pockets of the world, bridging gaps and contributing to mutual understanding. That, perhaps, is the way forward for international journalism.
Power of Media
Menu Main menu. Watch TED Talks. Media and journalism Introductory essay Summary analysis. Alisa Miller How the news distorts our worldview 2. Relevant talks